Once the joinery is complete, the chair’s form must be created.

Photo: Avi Schwarzchild
The desired outline is traced onto the wood’s surface in pencil. Note that the tenon is marked to avoid cutting into it.

Photo: Avi Schwarzchild
The two pieces are separated. The bow saw is used to roughly cut along the pencil line.

Photo: Avi Schwarzchild
A large rasp is used to smooth and refine the outline and to remove the saw marks.

Photo: Avi Schwarzchild
The pieces are reassembled, and a smaller round rasp is used to blend the sections together.

Left Photo: Avi Schwarzchild. Right Photo: Detail of Upper-Left Corner of the Fauteuil à la reine. Photo: Metropolitan Museum of Art, New York (66.60.2).
The finished piece is ready for gesso, carving, and gilding (left). A close up of the reproduced section of the armchair (right).
Previous: Cutting the Joinery