9pm in the Tessé Room

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Composite picture of the Metropolitan Museum of Art Tessé Room by Heather Nickels.  This picture shows how many servants would have been at work in such a room in the evening, and at what tasks: liveried male servants guard the doors, female servants tidy up the space by sweeping the floor and re-arranging items in the room. The two upper-class women seated on the sofa wear different styles because clothing design changed rapidly at the end of the century. For more information on the very fashionable portrait on the wall, see: https://bt.barnard.edu/ave2015/project3/2015/04/04/portraits/.

Here, both servants and masters are pictured in the Tessé Room together. In preparation for an event that evening – for which the two mistresses of the house are elegantly dressed – the servants sweep the floors and tables, move the chairs around and those in livery get into position for the night’s festivities. While the servants are hard at work, the two women of the household relax on one of the comfortable and cushioned couches, a relatively new invention in the 18th century. Prior to this era, chairs would have been fairly stiff, and uncomfortable for females wearing stays, the predecessor of the corset.

Note: Uniforms on the male servants taken from an image here: https://austenonly.files.wordpress.com/2012/01/livery_1.jpg.

 

 

Objects Added to the Tessé Room:

The same broom added to the morning room has been added to this evening view of the Tessé Room. It comes from  a painting entitled, “A pause at the piano,” by Théophile Emmanuel Duverger (1821-1886/1901).

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Characters Added to the Tessé Room:

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Artist: Johann Zoffany

Title: The Third Duke of Richmond (1735-1806) out Shooting with his Servant, c. 1765

Yale Centre for British Art, Hartford, Connecticut, USA

unnamed (4)

Jean-Siméon Chardin

French, 1699–1779

The Scullery Maid

1738

oil on canvas

18 1/2 x 15 inches

William A. Clark Collection

26.39

Note: The two maids in the front are both from this painting.

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Artist: Jean-Siméon Chardin

Artist dates: 1699 – 1779

Full title: La Fontaine (The Water Cistern)

Date made: 1733 or later

Medium and support: Oil on canvas

Dimensions: 37.5 x 44.5 cm

Acquisition credit: Bought, 1898

Inventory number: NG1664

National Gallery, London

Élisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris)Comtesse de la Châtre (Marie Louise Perrette Aglaé Bontemps, 1762–1848), Later Marquise de Jaucourt, 1789Oil on canvas; 45 x 34 1/2 in. (114.3 x 87.6 cm)The Metropolitan Museum of Art, New York, Gift of Jessie Woolworth Donahue, 1954 (54.182)http://www.metmuseum.org/Collections/search-the-collections/437900

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)

Artist: Élisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris)

Date: 1789

Medium: Oil on canvas

Dimensions: 45 x 34 1/2 in. (114.3 x 87.6 cm)

Classification: Paintings

Credit Line: Gift of Jessie Woolworth Donahue, 1954

Accession Number: 54.182

Not on view

In the Met Collection

DP169653

Portrait of a Woman

Artist: Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby)

Date: ca. 1770

Medium: Oil on canvas

Dimensions: 49 7/8 x 40 in. (126.7 x 101.6 cm)

Classification: Paintings

Credit Line: Gift of Heathcote Art Foundation, 1986

Accession Number: 1986.264.6

On view in Gallery 513

In the Met Collection