Composite picture of the Metropolitan Museum of Art Tessé Room by Heather Nickels. This picture shows how many servants would have been at work in such a room in the evening, and at what tasks: liveried male servants guard the doors, female servants tidy up the space by sweeping the floor and re-arranging items in the room. The two upper-class women seated on the sofa wear different styles because clothing design changed rapidly at the end of the century. For more information on the very fashionable portrait on the wall, see: https://bt.barnard.edu/ave2015/project3/2015/04/04/portraits/.
Here, both servants and masters are pictured in the Tessé Room together. In preparation for an event that evening – for which the two mistresses of the house are elegantly dressed – the servants sweep the floors and tables, move the chairs around and those in livery get into position for the night’s festivities. While the servants are hard at work, the two women of the household relax on one of the comfortable and cushioned couches, a relatively new invention in the 18th century. Prior to this era, chairs would have been fairly stiff, and uncomfortable for females wearing stays, the predecessor of the corset.
Note: Uniforms on the male servants taken from an image here: https://austenonly.files.wordpress.com/2012/01/livery_1.jpg.
Objects Added to the Tessé Room:
The same broom added to the morning room has been added to this evening view of the Tessé Room. It comes from a painting entitled, “A pause at the piano,” by Théophile Emmanuel Duverger (1821-1886/1901).
Characters Added to the Tessé Room:
Artist: Johann Zoffany
Title: The Third Duke of Richmond (1735-1806) out Shooting with his Servant, c. 1765
Yale Centre for British Art, Hartford, Connecticut, USA
Jean-Siméon Chardin
French, 1699–1779
The Scullery Maid
1738
oil on canvas
18 1/2 x 15 inches
William A. Clark Collection
26.39
Note: The two maids in the front are both from this painting.
Artist: Jean-Siméon Chardin
Artist dates: 1699 – 1779
Full title: La Fontaine (The Water Cistern)
Date made: 1733 or later
Medium and support: Oil on canvas
Dimensions: 37.5 x 44.5 cm
Acquisition credit: Bought, 1898
Inventory number: NG1664
National Gallery, London
Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848)
Artist: Élisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris)
Date: 1789
Medium: Oil on canvas
Dimensions: 45 x 34 1/2 in. (114.3 x 87.6 cm)
Classification: Paintings
Credit Line: Gift of Jessie Woolworth Donahue, 1954
Accession Number: 54.182
Not on view
In the Met Collection
Portrait of a Woman
Artist: Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby)
Date: ca. 1770
Medium: Oil on canvas
Dimensions: 49 7/8 x 40 in. (126.7 x 101.6 cm)
Classification: Paintings
Credit Line: Gift of Heathcote Art Foundation, 1986
Accession Number: 1986.264.6
On view in Gallery 513
In the Met Collection